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Stephen Jones HATS: AN ANTHOLOGY by Michèle C. ConeSept. 30, 2011
Rembrandt’s portrait of Saskia in profile, exalted by a curvaceous broad-rimmed red hat, is but one of hundreds of great art works from the past in which women (and men) are depicted wearing a hat, or some sort of head covering. The hat has such a pervasive presence in art that it often passes unnoticed, unless it forces our attention by its incongruous presence. Think of the strange wreathed hat adorning the head of the naked, adolescent David in Donatello’s bronze; the large, messy, exuberant hat in Henri Matisse’s Woman with the Hat, which caused a scandal at the 1905 Salon d’Automne; or the platter with a dead fish that serves as a hat in Pablo Picasso’s 1942 painting of a seated woman, just to name a few of the most memorable hats invented by famous artists.
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Feb. 24, 2010
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VIDEO CABARETby Michèle C. Cone
"Virtuoso Illusion: Cross-Dressing and the New Media Avant-Garde" at the MIT List Visual Arts Center.
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Nov. 18, 2009
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MERRY AMERICAby Michèle C. Cone
Race in depictions of music and pleasure in 18th- and 19th-century American painting.
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May 26, 2009
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PEEP SHOWby Michčle C. Cone
Sex and the phenomenology of looking in "Two Shows: Peeps / Pistoletto"at CUNY’s James Galley.
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Apr. 14, 2009
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LOLITOS IN FAG LIMBOby Michèle C. Cone Hernan Bas and the ambiguous desires of adolescence.
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Jan. 13, 2009
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RENAISSANCE LOVEby Michèle C. Cone "Art and Love in Renaissance Italy" at the Metropolitan Museum of Art.
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May 20, 2008
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DEATH AND THE ARTISTby Michèle C. Cone Issues of freedom and fame in the work of the Fluxus artist Yoko Ono.
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Mar. 14, 2008
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REALISM AND VOYEURISMby Michèle C. Cone Gustave Courbet liked to see what he was not supposed to see.
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Dec. 28, 2007
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WAR AND SEXby Michèle C. Cone Patriotism, propaganda and passion at Exit Art.
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Nov. 29, 2007
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PARIS IN THE FALLby Michèle C. Cone "The Third Mind" at the Palais de Tokyo, the new Cité de l’architecture et du patrimoine, Diaspora, Alexander Ponomarev, more.
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Oct. 5, 2007
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THE LAST SENSUALISTSby Michèle C. Cone Death and eroticism in the new masculinity of the 1920s.
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May 3, 2007
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FEMALE TROUBLES
by Michèle C. Cone "Global Feminisms" is a Tsunami-sized wave of distress signals.
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Feb. 20, 2007
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ARTNET NEWS
Michèle C. Cone on art & money at the CAA.
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Jan. 5, 2007
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SEXUAL MORES
by Michèle C. Cone William Hogarth and the plight of women, both rich and poor.
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May 24, 2006
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EXCELLENCE HAS [NO] SEX
by Michèle C. Cone
Two new exhibitions give us an Eva Hesse for the 21st century.
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June 9, 2005
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Translating Muntadas
by Michèle C. Cone
The artist behind Spain’s 2005 pavilion at the Venice Biennale.
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Jan. 27, 2005
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PRELUDE TO DESIRE
by Michèle C. Cone
"Images of the Floating World" at the Grand Palais in Paris. |
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Dec. 2, 2004
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ROMPING THROUGH HISTORY
by Michèle C. Cone
Peggy Guggenheim is "Mistress of Modernism" in a new biography.
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Aug. 6, 2004
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STARTING AT ZERO
by Michèle C. Cone
The political context of European Minimalism, 1958-68.
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Dec. 17, 2003
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WHOSE MELANCHOLY?
by Michèle C. Cone
Picasso's portraits of Fernande at the National Gallery of Art.
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Apr. 17, 2003
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SCHAD'S CABARET
by Michèle C. Cone
Christian Schad and the transition from Weimar to the Nazi era.
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Jan. 3, 2003
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BOUDOIR LIFE
by Michèle C. Cone
Constantin Guys and "la Vie romantique."
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June 21, 2002
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THE VULNERABLE SEX
by Michèle C. Cone
Artpress editor Catherine Millet's autobiography of sexual excess.
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